Tuesday, June 18, 2024
Tuesday June 18, 2024
Tuesday June 18, 2024

Asher Havon crowned ‘The Voice’ season 25 winner, team Reba triumphs



Asher Havon, from team Reba, wins ‘The Voice’ season 25 amid fierce competition, emotional performances, and star-studded finale

Host Carson Daly launched the Season 25 finale of “The Voice” on May 20, setting the stage for an emotional and competitive two-night event. The final five contestants showcased their talent through some of the most memorable performances of the season. Coaches Reba McEntire, the duo Dan + Shay, and John Legend had contestants vying for the title, while Chance the Rapper, another coach this season, had no singers in the finale.

The finalists included Team Reba’s Asher Havon and Josh Sanders, Team Dan + Shay’s Karen Waldrup, and Team Legend’s Nathan Chester and Bryan Olesen. The anticipation and excitement were palpable as each contestant delivered stellar performances, hoping to clinch the title.

On the first night of the finale, the audience enjoyed a performance by mega mentor Keith Urban and the U.S. Army Field Band. This set a high bar for the contestants, who each performed two songs. Nathan Chester of Team Legend performed “It’s Your Thing” by The Isley Brothers and “A Song for You” by Donny Hathaway. Josh Sanders from Team Reba sang “Go Rest High on That Mountain” by Vince Gill and “Boots On” by Randy Houser. Asher Havon, also from Team Reba, performed “Last Dance” by Donna Summer and “I Will Always Love You” by Whitney Houston. Bryan Olesen of Team Legend sang “Beautiful Things” by Benson Boone and “Freedom! ‘90” by George Michael. Lastly, Karen Waldrup from Team Dan + Shay delivered “What Hurts the Most” by Rascal Flatts and “I’m Alright” by Jo Dee Messina.

The finale’s second night on May 21 was filled with guest performances from The Black Keys, Jelly Roll, Kate Hudson, Lainey Wilson, Muni Long, Thomas Rhett, and Season 23 winner Gina Miles. The finalists returned to the stage, this time performing with their coaches. Dan + Shay and Karen Waldrup sang “You Look Good” by Lady A, while John Legend and Bryan Olesen performed “Feeling Good” by Joe Bonamassa. Reba McEntire and Josh Sanders sang “Back to God” by Randy Houser, and she also performed “On My Own” by Patti LaBelle and Michael McDonald with Asher Havon. Finally, John Legend and Nathan Chester sang “When A Man Loves a Woman” by Percy Sledge.

After these powerful performances, Asher Havon from Team Reba emerged as the Season 25 winner of “The Voice.” This victory marked a significant achievement for Reba McEntire, showcasing her coaching prowess. Josh Sanders, also from Team Reba, secured second place, followed by Bryan Olesen from Team Legend in third. Nathan Chester, another member of Team Legend, finished fourth, while Karen Waldrup from Team Dan + Shay took fifth place.

In addition to the crowning of the new winner, “The Voice” celebrated its 25th season with special virtual appearances by former coaches Kelly Clarkson, CeeLo Green, Niall Horan, Jennifer Hudson, Nick Jonas, Adam Levine, Blake Shelton, and Gwen Stefani. This milestone underscored the show’s long-standing success and its impact on the music industry.

Looking ahead to Season 26, “The Voice” will see the return of coaches Reba McEntire and Gwen Stefani. They will be joined by newcomers Michael Bublé and Snoop Dogg. Both new coaches bring a wealth of experience and unique perspectives to the show. Snoop Dogg, who previously served as a mega mentor in Season 20, and Michael Bublé, who was an advisor for Blake Shelton’s team in Season Three, will add fresh dynamics to the coaching panel.

The new season promises to continue “The Voice’s” legacy of discovering and nurturing musical talent. Fans eagerly await the blend of new and returning coaches and the exciting performances that have become a hallmark of the show.


The crowning of Asher Havon as the winner of “The Voice” Season 25 highlights the emotional journey and fierce competition that characterizes the show. This season showcased the diverse talents of the contestants and the strategic coaching styles of the celebrity mentors.

Politically, “The Voice” maintains a neutral stance, focusing on talent and entertainment rather than political affiliations or messages. However, the inclusion of diverse artists and songs can sometimes reflect broader cultural sentiments and societal trends. This season, the performances of songs like “Freedom! ‘90” and “When A Man Loves a Woman” subtly echoed themes of liberation and love, resonating with current socio-political climates.

From a sociological perspective, “The Voice” continues to be a platform for cultural representation and diversity. This season’s finale included performances from various musical genres and showcased a range of cultural backgrounds. This diversity helps foster an inclusive environment, encouraging viewers from different demographics to connect with the show.

Economically, “The Voice” remains a significant player in the entertainment industry, drawing substantial advertising revenue and maintaining high viewership ratings. The show’s ability to attract big-name performers for guest appearances and as coaches underscores its economic impact and popularity. Additionally, the careers of many contestants receive a significant boost from their participation, leading to recording contracts, tours, and other opportunities.

Locally, the show impacts the communities from which the contestants hail. Winners and participants often become local heroes, bringing pride and recognition to their hometowns. This local impact can also translate into economic benefits for these communities, such as increased tourism and media attention.

In terms of gender and minority representation, “The Voice” has historically been a platform that highlights diverse talents. This season continued this trend, with a balanced representation of male and female contestants and a focus on different musical genres and styles. This representation plays a crucial role in challenging industry norms and promoting equality.

The theoretical perspectives of cultural hegemony and symbolic interactionism can also be applied to analyze “The Voice.” The show exemplifies cultural hegemony by setting trends in the music industry and shaping public tastes. Meanwhile, symbolic interactionism is evident in the personal stories and interactions between contestants and coaches, which add depth to the performances and create emotional connections with the audience.

Overall, “The Voice” Season 25 not only entertained but also highlighted important cultural and social dynamics. As it moves into its next season, the show’s impact on the music industry and popular culture remains significant.


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