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Monday, September 16, 2024
Monday September 16, 2024
Monday September 16, 2024

Got an Oscar? There’s a catch: The golden rule every winner must follow

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Bagging an Oscar isn’t just glitz and glamour – there’s a £1 clause that might just surprise

Securing an Oscar is undeniably the pinnacle of cinematic triumph, yet not many are aware of the golden handcuff that comes with it. The illustrious list of recent victors, including Cillian Murphy, Robert Downey Jr., and Emma Stone, might have embraced the golden statuette with glee at the 96th Academy Awards, but little do some realise the caveat attached to this gleaming accolade.

Yes, it’s true – snagging an Oscar involves more than just the acceptance speech nerves and finding the perfect spot on your mantlepiece. According to the fine print on the Academy Awards website, there exists a stringent rule concerning the afterlife of the trophy, specifically regarding its sale.

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The essence of the rule? Should any Oscar winner entertain the notion of parting ways with their statuette, they’re obliged to offer it back to the Academy for the nominal sum of £1. You heard that right, a quid! This measure ensures the statuettes remain symbols of artistic and cinematic achievement, rather than commodities to be traded.

One might ponder, “Who in their right mind would want to sell such a symbol of accomplishment?” Well, reasons vary from a need to declutter the trophy cabinet to possibly wanting to convert the accolade into charitable funds. Regardless, the Academy holds its ground: first dibs at a dollar.

Enacted in 1951, this rule has even led to legal skirmishes, exemplified by a 2014 lawsuit involving the sale of an Oscar awarded in 1943, which fetched a handsome $79,200 at auction. The Academy’s swift legal action underscored their seriousness about this clause, resulting in the auction winner having to return the statuette.

Interestingly, there have been instances where this rule was, shall we say, danced around. The late pop icon Michael Jackson once splurged $1.5m on the Best Picture Oscar belonging to producer David Selznick from 1939, highlighting the peculiar exceptions that history has witnessed.

For now, let’s hope the freshly minted Oscar winners are too enamoured with their achievements to consider any sales. After all, who would want to part with such a prestigious token of cinematic glory for merely a quid?

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