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Thursday, September 19, 2024
Thursday September 19, 2024
Thursday September 19, 2024

Netflix’s priciest flick of 2023 tanks in reviews: Rebel Moon faces a galactic backlash

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Zack Snyder’s expensive space epic falls flat despite visual spectacle

In the vast galaxy of big-budget productions, it appears that a hefty price tag doesn’t always translate to stellar reviews. Netflix’s much-anticipated blockbuster, Rebel Moon, touted as their most expensive film of the year, has crash-landed in the realm of disappointment, leaving critics unimpressed and audiences questioning its astronomical budget.

If there’s one cosmic truth, it’s that a colossal budget doesn’t guarantee a blockbuster’s success. Following in the lukewarm footsteps of Amazon’s Rings of Power, which cost a whopping $460 million, Netflix’s Rebel Moon is facing a rocky start.

Part one of a two-part saga, Rebel Moon unfolds a tale of a corrupt central government on the ‘Motherworld’ and a burgeoning rebel resistance on distant planets. Though comparisons to Star Wars and Firefly may seem inevitable, the genesis of Rebel Moon was originally pitched by Zack Snyder to Lucasfilm as a Star Wars project, a pitch that faced rejection.

Undeterred, Snyder reshaped the narrative into its own mythos, resulting in Rebel Moon.

Initial reviews commend Snyder’s signature cinematography and visuals, resonating with his distinctive style from the DC Universe. Drawing parallels with the classic film Seven Samurai, critics acknowledge the movie’s aesthetic appeal.

However, the film’s grandeur, high-budget spectacle, and visual finesse have not shielded it from harsh criticism, as reflected in its paltry 19 percent score on Rotten Tomatoes. Despite a colossal budget of $166 million, the film has failed to garner critical acclaim.

The Independent dismissed Rebel Moon as ‘Star Wars for people who think those movies are too political and don’t feature enough sexual violence.’ The Guardian echoed disapproval, stating it ‘has only the vaguest contours of ambition, diminished by a half-assedness dinkifying the latest CGI-jammed saga to decide the fate of the universe.’

The BBC’s review critiqued the simplicity of the characters, remarking, “The goodies are straightforward goodies, and the baddies are straightforward baddies, and you can usually tell which is which by how attractive they are.”

While critics voiced their dissatisfaction, acknowledging the film’s shortcomings, there were notable praises for Rebel Moon’s inventive visualization of alien species, transcending the conventional prosthetics and face paint approach.

Audience reviews, often divergent from critics, anticipated a more favourable reception. One viewer asserted, “Audience will score 90+. The bunch of critics can’t be judge movie.”

With Rebel Moon available for streaming on Netflix, the intergalactic saga has set the stage for a battle between critical evaluation and audience sentiment.

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