Final trailer for Tatiana Maslany’s chilling horror Keeper teases a haunting cabin mystery
Tatiana Maslany is stepping into the dark once again, this time in Keeper, a chilling new horror film from director Osgood Perkins. The final trailer for the film has dropped, and it’s every bit as unsettling as fans of Perkins might expect. Released by Neon ahead of the film’s November 14th US debut, the preview offers a disturbing glimpse into what could be one of the most terrifying psychological horrors of the year.
The story centres on a couple who retreat to a remote cabin for what should have been a peaceful romantic getaway. Maslany plays Liz, who hopes the weekend will rekindle her relationship with Malcolm, portrayed by Rossif Sutherland. But when Malcolm abruptly leaves for the city, Liz finds herself stranded in the woods and confronted by something sinister. As isolation sets in, the trailer reveals glimpses of a shadowy white-faced figure and eerie flashes of inexplicable terror that hint at the cabin’s horrifying secrets.
Perkins, known for his slow-burn, atmospheric approach to horror, has been described as one of the genre’s most intriguing modern filmmakers. His past works, including The Blackcoat’s Daughter, I Am the Pretty Thing That Lives in the House, and Gretel & Hansel, earned him a reputation for crafting dread that seeps under the skin rather than relying on cheap jump scares. With Keeper, he appears to be continuing his exploration of psychological torment and supernatural fear.
The trailer has already sparked feverish speculation among horror fans. The imagery is disorienting and claustrophobic, filled with flickering lights, distorted faces, and a constant sense that something just beyond sight is watching. The promotional tagline calls it “horror origami that skillfully folds into itself,” suggesting layers of mystery and deception that will keep viewers guessing until the end.
Maslany, best known for her Emmy-winning performance in Orphan Black and her recent roles in She-Hulk: Attorney at Law and The Monkey, brings an intensity and emotional vulnerability to the lead role. Her performance in the trailer suggests a descent into madness as Liz struggles to separate reality from hallucination. The fear feels grounded and human, even as supernatural elements creep in around her.
Supporting roles are filled by Tess Degenstein, Claire Friesen, and Christin Park, who appear in fleeting but ominous glimpses throughout the footage. The screenplay was written by Nick Lepard, and the film is produced by Chris Ferguson and Jesse Savath.
Osgood Perkins, the son of legendary Psycho star Anthony Perkins, has made a name for himself by defying mainstream horror conventions. His direction focuses on atmosphere and emotional breakdown rather than straightforward gore. Each of his films carries a unique signature of creeping unease, and Keeper seems poised to continue that legacy.
The trailer’s release has also reignited discussions about Perkins’ recent creative streak. Keeper marks his third film in two years, following Longlegs and The Monkey, both of which were lauded for their haunting visual storytelling. Critics have noted that Perkins’s films often linger in the mind long after the credits roll, and Keeper looks to follow suit.
While plot details remain intentionally vague, the marketing cleverly teases the audience with more questions than answers. Is Liz truly alone in the cabin? What is the source of the evil presence? And what does the pale, white-faced entity represent? These unanswered mysteries are driving anticipation for the film’s release, especially among fans who crave horror that challenges perception as much as it terrifies.
With Keeper, Neon continues its streak of distributing distinctive and intelligent genre films. The final trailer sets a foreboding tone that feels both intimate and grand, promising a horror experience built on suspense and psychological decay rather than predictable shocks. As Liz’s fragile reality begins to unravel, Keeper invites audiences into a nightmare where the true horror may lie within.