The renowned session musician, known for his iconic bass lines on hits by david bowie, Elton John, and three solo Beatles, has passed away.

Herbie Flowers, the eminent bassist whose distinctive grooves shaped some of rock’s most memorable tracks, has died at the age of 86. Flowers, celebrated for his contributions to songs like Lou Reed’s “Walk on the Wild Side” and David Bowie’s “Space Oddity,” passed away on September 5, 2024. His death was confirmed by his family via social media, though no cause was disclosed. “While we knew and loved him as Uncle Herbie, his musical contributions have likely touched your lives as well,” wrote Flowers’ niece’s husband. “He played bass on many of the songs from the golden age of rock.”

Flowers was an integral part of the 1970s and 1980s rock scene, contributing his bass lines to an array of classic albums. His work spanned numerous genres and artists, including stints with rock bands T. Rex and Blue Mink. His influence extended to hundreds of albums, cementing his status as one of the most prolific session musicians of his time.

Among his most notable contributions were his bass lines on three solo Beatles albums: George Harrison’s Somewhere in England, Paul McCartney’s Give My Regards to Broad Street, and Ringo Starr’s Stop and Smell the Roses. Flowers also lent his talent to Elton John’s Madman Across the Water, Harry Nilsson’s Nilsson Schmilsson—most famously on “Jump Into the Fire”—and albums by Bryan Ferry, Melanie, and Cat Stevens, among many others.

Despite his extensive catalogue, Flowers is perhaps best remembered for his work on two seminal tracks. His bass line on David Bowie’s “Space Oddity” became iconic, as did his memorable part on Lou Reed’s “Walk on the Wild Side.” The latter featured Flowers’ sweeping bass line, which became a touchstone in music and was later sampled by A Tribe Called Quest (“Can I Kick It?”), Haim (“Summer Girl”), and Marky Mark and the Funky Bunch. Flowers’ bass work was also prominent on Bowie’s Diamond Dogs, including the hit “Rebel Rebel.”

Bowie’s official social media tribute highlighted Flowers’ impact: “His work with Bowie and associates over the years is too long to list here. Aside from his incredible musicianship over many decades, he was a beautiful soul and a very funny man. He will be sorely missed.”

Analysis:

Political:
Herbie Flowers’ passing touches upon the broader discussion of the recognition and legacy of session musicians in the music industry. These artists, often unsung heroes behind the scenes, play a crucial role in shaping popular music yet frequently receive less public acclaim than the artists they support. Flowers’ death brings attention to the political aspect of how the contributions of session musicians are acknowledged and valued within the industry, prompting a reflection on the equity and recognition of all contributors to musical success.

Social:
Flowers’ extensive work and his role in creating some of rock’s most memorable bass lines illustrate the social impact of music on cultural identity and memory. His contributions to widely known tracks influence social perceptions of music and its evolution. The celebration of Flowers’ career highlights the social importance of musicians who craft soundtracks to our lives, emphasizing the value of their contributions to popular culture and societal enjoyment.

Racial:
While Flowers’ career did not directly intersect with racial issues, the diversity of his collaborations—spanning various artists and genres—demonstrates the inclusive nature of his work. His influence on tracks by artists of different backgrounds showcases the blending of musical styles and the breaking down of racial barriers within the music industry, underscoring how musicians of all backgrounds contribute to a rich, diverse musical landscape.

Gender:
Flowers’ legacy also intersects with discussions about gender in music, particularly in terms of recognition. The music industry has historically marginalized female musicians and session players. Celebrating Flowers’ achievements can be seen as part of a broader movement to ensure that all musicians, regardless of gender, receive acknowledgement and respect for their contributions.

Economic:
The economic implications of Flowers’ death are tied to the value placed on session musicians in the music industry. His extensive work on high-profile albums and singles highlights the economic significance of skilled session musicians who contribute to the commercial success of numerous records. As the industry reflects on Flowers’ legacy, it may prompt a reevaluation of how such artists are compensated and recognized for their roles in shaping music trends and driving sales.