The singer expresses frustration over the unauthorised use of his vocals and calls out the charity track for perpetuating harmful stereotypes about Africa.

Ed Sheeran has voiced his disapproval over the re-release of the iconic Band-Aid charity track, Do They Know It’s Christmas?, marking its 40th anniversary. The song, which features a blend of voices from its various editions, including Sheeran’s contribution in 2014, has sparked controversy with the singer claiming his permission was not sought for the latest version.

The charity single, originally conceived by Bob Geldof and Midge Ure in 1984 to raise funds for famine relief in Africa, has faced criticism over the years for its portrayal of the continent. Sheeran’s concerns echo these critiques, as he described the song as “dehumanising” and damaging to Africa’s image.

Taking to Instagram, Sheeran stated that, had he been approached for the new release, he would have “respectfully declined.” He shared a post from Ghanaian-British artist Fuse ODG, who had also rejected participation in the 2014 version, citing the perpetuation of harmful stereotypes that undermine Africa’s dignity and economic progress.

Fuse ODG’s message highlighted the broader consequences of such portrayals, arguing that while charity efforts might generate immediate donations, they ultimately harm Africa’s image, tourism, and investment potential. “These stereotypes cost the continent trillions and destroy its dignity, pride, and identity,” the post read.

Sheeran, who has previously participated in various charitable initiatives, noted that his perspective has evolved since 2014. “Ten years ago, I didn’t fully grasp the implications. Now, I see how these narratives fail to represent the vibrancy, progress, and potential of African nations,” he said.

Bob Geldof, however, defended the initiative, pointing to the significant funds it has raised over decades, claiming it has saved “hundreds of thousands if not millions” of lives. He dismissed the criticism, emphasising the song’s humanitarian mission and its role in bringing global attention to urgent issues.

The latest edition of Do They Know It’s Christmas? incorporates contributions from past artists, including Bono, the late George Michael, and members of One Direction, alongside Sheeran’s original vocals. Geldof has not directly addressed Sheeran’s remarks but maintains that the song continues to be a vital tool for fundraising.

Criticism of Band-Aid’s approach is not new. Many artists and commentators have long argued that its messaging reduces Africa to a monolithic narrative of poverty and despair, neglecting the continent’s diversity, resilience, and growth. The tourism industry, in particular, has voiced concerns about how such portrayals dissuade potential visitors and investors.

Sheeran’s comments add to a growing chorus of voices advocating for a shift in how global charity initiatives engage with Africa. Activists and artists are calling for collaborations that empower local communities and challenge outdated narratives, fostering dignity and self-reliance over dependence on external aid.

While the Band-Aid franchise has undeniably raised significant funds for critical causes, the debate over its impact underscores the need for more nuanced, respectful approaches to addressing global issues. Sheeran’s stance may mark a turning point in how artists engage with charity projects, encouraging deeper reflection on their long-term consequences.

As the controversy unfolds, it raises broader questions about the ethics of celebrity-driven philanthropy and the responsibility of cultural initiatives in shaping perceptions of the developing world.